Friday, April 30, 2010
R.E.M. Back in the "Studio"
Posted by Jordan Stepp at 7:00 AM 0 comments
Labels: comic, REM, youtube videos
Thursday, April 29, 2010
New Addiction: Nathan Sheppard
I was sitting here at the desk listening to some of the recordings from the R.E.M. 30 event and I was struck by Sheppard's vocal abilities. "He sounds just like Stipe here....wow..." The harmonies that he and John Keane created during "Swan Swan H" remain firmly in the top 3 performances of the night. So I wanted to find out more about this guy.
Turns out he and Keane have been performing together a lot lately. The duo usually pull out the acoustic guitars and play a few numbers in the smaller and more unusual venues around Athens. Sheppard's solo stuff is a mix of pop singer-songwriter with a bit of folk rock thrown in. I wish that the audio available on his myspace were more than just brief snippets, they give you a decent sense of his stylings.
Sheppard is playing Boar's Head this Friday.
Posted by Jordan Stepp at 7:00 AM 1 comments
Labels: nathan sheppard, New Addiction
Wednesday, April 28, 2010
Weekly Show Picks
Posted by Jordan Stepp at 7:00 AM 0 comments
Labels: picks of the week
Tuesday, April 27, 2010
The Final Bow: My Last WUOG Shift
It's been my little window of sanity for three years running but as I'm about to graduate from UGA, I'm graduating from WUOG as well. I first started hosting the show when my Local Music Director, Ethan, began taking really complicated language classes and needed someone to take over the show. From then on out, I've been on air nearly every available Tuesday night during the school year. I've heard some of the best and worst Athens has to offer in our lobby. I've moved house from a 37 year stronghold to the new radio home. I've been through three local directors, two mixing boards, and more worn records than I can count.
God, it's been so much fun. How often do you get to do something so up your alley? Just sitting there for two hours, chatting with my friends and listeners, and picking out a (hopefully) varied playlist of Athens and Atlanta artists. Half of the great musical discoveries I've made have been in those dusty archives. And thank you, mysterious intern, for putting all the records in protective sleeves.
I remember my first on-air guest: Sonia Leigh. It was a special arrangement done on the fly in order to promote an upcoming show of hers. We went back and forth on questions in between music breaks. The entire section only lasted about 30 minutes but it was grand.
And all of the fantastic guests since, far too numerous to name here but incredible nonetheless. We laughed like fools and had difficulties working the record player. I might've threatened to strangle a few of you once or twice. All's fair in love and radio, right?
All my love to anyone who listened in over the years. Talking to you on the phone or on that weird chatbox was always a thrill. It's good knowing that you're not just blathering to the ether.
And many, many, many thanks to all the WUOG crew. You execs who basically let me run rampant, the top-notch tech team who taught me how to mix and mic, and the nutty local music fans who actually knew who Pylon was when it counted. You were among my first friends in Athens. Thanks, and remember to always claim your favorite magical creature.
So what will I play this last show? You'll have to tune in tonight at 8 to find out. Not a whole lot of sappy, sentimental stuff (unlike this post, right?) But expect a lot of familiar names and sounds. It's been one hell of a ride at WUOG and I'm going out turntables blazing.
Posted by Jordan Stepp at 7:00 AM 2 comments
Labels: Electronic/DJ, musings, playlist, wuog
Monday, April 26, 2010
Venues = Cool
Some time ago I did a post about why I avoided certain venues during the winter. Basically, they got cold. REALLY cold. Now all the venues I've listed have really nice heating systems that make it a lot easier to stay in during the winter. With what little spring we've had quickly turning into a legendary Athens summer, I thought it might be best to figure out which venues are just plain awesome to visit during the dog days to cool off a bit.
First up is Little Kings Shuffle Club. With its neat little backyard space, this is one of my favorite places to visit on warm nights. You can stay inside and enjoy some fluffy couches and drink or go outside and entertain yourself with cornhole. The picnic tables and tiki lamps really give the outdoor area a pool party feel. I swear, one of these days I'll make it to Monday Night Rock Trivia.
Next is the Melting Point. I spent some of the best nights of my life last May outside at the tables listening to unknown jazz and blues bands play to a small crowd. The light was just beginning to fade as the band started up. At this point, I lived only a minute's walking distance away. I'd grab my camera, phone, and keys, and pass under the bridge just as the train came rumbling through. Sitting on that patio was one of the most peaceful experiences of my life.
Another great place is Farm 255. Most of the time, these shows are free. The variety of genres you can find here is stunning. More than likely, it'll be a blues/jazz/americana type band playing but there have been a few rock 'n' rollers to play that tiny stage. Lots of underrated artists here such as the Rand Lines Trio and Marriage. Both of whom are playing this week, I might add.
And almost all the indoor venues are pretty decent temperature wise. Naturally, the more bodies you have huddled together in the room, the hotter it gets. But all you have to do is position yourself right in the sweet zone between the doorway and the A/C and you are done for the night.
Posted by Jordan Stepp at 7:00 AM 0 comments
Friday, April 23, 2010
Schneider is a Punk Rocker
Posted by Jordan Stepp at 2:39 PM 1 comments
Labels: B-52s, fred schneider, Punk/Hardcore
I'm Running Late This Morning...
So here's a video of a cat eating an orange... Just kidding.
No worries, there will be a full, proper blogpost later on today. Until then, please enjoy this interesting interview of the B-52s I stumbled across.
Posted by Jordan Stepp at 7:24 AM 0 comments
Labels: placeholder post, running late, youtube videos
Thursday, April 22, 2010
Twilight is Upon Us
Just kidding. I don't think Athens would stand for that kind of Twilight. No, this kind is much cooler and has actual value. It's a bike race, not a book/movie/abberationofmankind. Come to think of it, Twilight is not even just a bike race anymore..
Twilight is, in a word, awesome. People flood the streets to watch all of the riders zoom past at unbelievable speeds. It's a springtime tradition to grab your buddies, camp out at the corners, and pretend to know a lot about cycling in order to impress that hot guy/girl in the racing outfit. The race is one of the most anticipated events of the year for racers and spectators alike. The racers get the glory, the spectators often get the booze.
And there's tons of booze. With a special Terrapin Wake 'N Bike Ride, you can take part in both the racing and the drinking of the beverages, dontcha know? If drinking's not really your thing and you find actual races boring, you can always check out the BMX Jam. These guys really know how to make your jaw drop with the stuff they can pull off. Flatland, vert, all sorts of nifty handlebar moves...it's insane.
And there's tons of music. The Jazz Festival is back again, lending some cool tunes to the warm evening. The UGA School of Music is heading up this year's proceedings, so make sure to keep an ear out for them. The combo of jazz, bikes, and dim lights makes for an incredible evening. Everything kicks off on FRIDAY.
“...as the evening twilight fades away, the sky is filled with stars, invisible by day.” - Longfellow
Now if only we could get that Pattinson kid on a bike at the GA Theatre turn. Nothing would please me more to see him skid out and go flying over the hay bales...
Twilight Site Twilight in Flagpole Twilight Schedule
Wednesday, April 21, 2010
Weekly Show Picks
Posted by Sofia at 7:00 AM 1 comments
Labels: concert picks, picks of the week
Tuesday, April 20, 2010
Old School Cool
So my boss and I were talking the other day about some old Athens bands when he mentions that he used to play in a few himself. It was great getting to chat about the 11:11 and the "I and I" despite them shutting down long before I was even born. He asked if I collected any Athens stuff. While I do have a few things that have personal sentimental value, I've never really gotten my hands on anything authentic besides that old Tasty World Dan Matthews gave me. "We'll fix that," he said. Soon enough, I found myself in possession of many of my boss's original fliers and other posters that he had collected over the years. Brilliant stuff...
It got me thinking about a lot of the Athens bands that we never get to hear about, even in the old books and videos. Never even so much as a mention but still there, part of whatever the heck this Athens music thing is. Stumbling across names like "Matching Fibers" is one of the great thrills of this strange Athens music obsession of mine. What did they sound like? Was it a good show? And so on and so forth until I drive my roommates crazy.
There are certain disadvantages to being my age and trying to find out who these bands were. Usually, if I'm in conversation with someone who was around during that time, they'll name the bands they remember. Those bands are often the ones that "everyone" remembers for one reason or another. But some bands were just garage acts, never doing much besides a few shows. What of them?
I do gather a lot of my info from a few groups on Facebook and the Rewind site but there's only so much that I can gather. I'd really like to start gathering a lot of recordings and posters from these bands and getting them out to the people again. Maybe not official recordings but I know there were a lot of bands that had a soundboard recording or two.
What will I do with this stuff? Post it here, probably if everyone's willing. We're a nutty little community and I love hearing from you. And it's pretty dumb that I can't provide the level of detail and care to other bands from the past because I just wasn't there. And now for random band name-dropping to give an idea of what I'm looking for...
I'm talking about bands like Eat America, The Violets, Little Tigers, and more info on Athens staples and related bands like Method Actors, Is Ought Gap, Limbo District, and the like. As much as I love R.E.M. and Pylon, believe me, I've got enough material on them. If you've got something to share, I'd recommend posting it to our facebook group. Or, as always, emailing to athensmusicjunkie@gmail.com.
On a side note, we may have to have a long discussion about this artwork. They don't make posters like this anymore...
Posted by Jordan Stepp at 7:00 AM 4 comments
Labels: eat america, is ought gap, limbo district, little tigers, the Method Actors, violets
Monday, April 19, 2010
Modern Skirts Get "Happy"
Part of being in a band is the constant discovery and rediscovery of influences and sounds. To stay static is to eventually become a self-parody. Does that mean you should go out and change your darkwave band into a country pop act? No. But it does mean pushing yourself into new avenues and not becoming content with what you create.
So the Modern Skirts put out on their twitter feed a link to the new remix of their song that's now called "Happy 81," previously dubbed by myself as "Lessons Learned" according to the iTunes. Though Ziona and I prefer the live version from the Ardent sessions the boys did last year, this mix is something new and interesting. Really not the sound we're used to from the Skirts, but they've been fooling around with these new tracks for well over a year now.
Are the Skirts going to lose a few fans over this? Maybe. But I like the fact that they're not content to just rewrite "Pasadena" over and over again. It's a risk. And maybe they'll gain a whole new faction of fans. I dunno, I can't see the future.
The Skirts will be playing the Caledonia on Friday, a really strange move if you're used to seeing the boys at the Watt. I can't wait to find out how the show will differ from what I've seen before. And I've also heard that "Eveready" is ready for download for all you Rockband gamers. I have no game system to find out how it plays....
Anyway, here's another of the Skirts' new songs that they've been playing live for a while. What do ya think of their new direction?
Posted by Jordan Stepp at 7:00 AM 1 comments
Labels: Modern Skirts, new adventures
Friday, April 16, 2010
CD Review: Packway Handle Band
As always, a little snippet about the artwork. PHB has had some pretty interesting cover art mostly revolving around their condenser mic, the banjos, or farm scenes. This collage of pictures of the band captures a bit of what it's like to be at a Packway show. It's a joyous occasion, full of stomping, singing, and general rousing of the rabble.
Walking Disaster would not have been my first choice for a lead off track (the last one would've been better) but "Disaster" serves its purpose by introducing you to the main instruments and stylings of the band.
Who Do You Think You Are? is a trademark Packway track. Plenty of harmonies, really strong lyrical content, and many, many strings. It's a toe tapper and will be stuck in your head soon.
Outskirts is a lovely track but doesn't go anywhere. In a way, that's the strength it holds. You can throw the track on during a rainy day and quickly be lulled to sleep by the gentle harmonies without having to spare the rest of the content a second thought. "It's ok if you just want to be..." indeed.
What is a Packway Handle? might've benefited from being a bit more upbeat but if you ever need a dose of PHB humor, turn this one up. The song reviews many of the questions the band gets asked all the time. The nods to the common frustrations of being asked to play "Devil Went Down to Georgia" or "Rocky Top" (oh god NO), are nice touches. But what never gets answered is the main question: What the hell is a packway handle?!
Off My Knees is far more twangy and country than the previous tracks. The constant refrain of "We don't know where we're going" really hammers home the boys' ability to create instantly catchy hooks and harmonies.
Horse Vs. Technology "Twiddly" would be how I'd describe this one. There's some complicated counter-melodic picking and strumming going on, with each instrument taking a small turn in the spotlight. It's an instrumental but it rarely gets boring. Unless you just don't like instrumentals...
I'm Glad You've Got My Priorities So Straight is my favorite track, probably because it reminds me of "Satan's in Space." There's a dry humor that only Packway can do and "Priorities" is a shining example of it. Part kiss-off, part sarcastic lament, this could be any husband's theme song.
Josie is not really noteworthy either way. It's a by the numbers, average Packway song.
Tired is really slow. Another really average song, it follows the lead from "Outskirts" and continues this mid-tempo movement the album has.
Lord Baltimore starts off as a really country-esque song, depending heavily on the guitar strum and a quiet, forced vocal. When the harmonies kick in after the first verse, the song improves a bit, giving you the full story behind Lord Baltimore and his tendencies.
What Are We Gonna Do Now? finally shows what Packway is capable of. A rousing sing-along, you'll be able to chant along with the chorus from the get go. Makes you want to find a bonfire somewhere and swing the whisky around while square dancing.
What Are We Gonna Do Now? is a lot slower than most of Packway's material and benefits from a slicker production than usual. But along with those things comes a few faults. The live energy that makes Packway so enjoyable doesn't show through here until the very last track, though the second song comes close. This release is a lot stronger than most but suffers from a flat sound both production wise and in song choice. It's a decent album but I feel that they have done better work before. I give it a 6 out of 10. Best heard when standing on the porch in the summer, overlooking the cornfields.
Posted by Jordan Stepp at 7:00 AM 0 comments
Labels: cd, packway handle band, review
Thursday, April 15, 2010
New Addiction: Adam Klein
Adam Klein was one of, if not the very first, musicians I ever wrote about for Flagpole. Sorry you had to be the test subject dude...
But Adam truly was one of my first entry ways into Americana. He's an incredible artist in his own right and has since I saw him last, he has become one of the main players backstage in the Athens Americana scene, organizing events such as the Athens Americana festival and even creating the label Cowboy Angel Music. The label boasts some great artists like Justin Evans, Timber, and Nutria.
Adam's music is more along the storytelling line of Americana, touching edges with country through twangy guitar, brushing with pop through sweet, understated vocals, and lyrically related to folk traditions through the attention to detail Klein employs. He's always worth a listen and is especially great when he plays Little Kings, though I may be partial for nostalgia reasons.
Adam Klein will be performing this Saturday at the Athens Americana festival at Little Kings. It'll be well worth your while.
Posted by Jordan Stepp at 7:00 AM 1 comments
Labels: adam klein, New Addiction
Wednesday, April 14, 2010
Weekly Show Picks
Posted by Sofia at 7:00 AM 0 comments
Labels: picks of the week
Tuesday, April 13, 2010
Debate: Has the Scene Gone South?
Just LOOK at that line up! Seriously, just think of the crowds that Widespread alone can gather. Add in Dave Matthews who was one of the top grossing touring acts of the past decade, old school cred with Aquarium Rescue Unit, Jackopierce, Allgood, and the Athfest 2010 headliners Kinchafoonee Cowboys... All for fifteen bucks.
Now, one point that Robb brought up in his email really caught my eye. There really hasn't been a massive band to come out of Athens in a good while. We've got a lot of up and comers and quite a few indie/underground darlings, but where are the megastars? The Truckers and Whigs are gaining speed but have yet to enter a more mainstream consciousness. I wonder what has changed over the years to make this so.
Perhaps it's the current cycle of the big music business. Fewer bands are breaking big, therefore, statistically, fewer bands from Athens will hit the mainstream. Or maybe it's that the underground nature of Athens has taken such a hold that a certain level of fame and fortune is looked at as something that is in direct conflict with the very nature of creativity. OR it could be that the rise of other music cities like Seattle and Austin drew attention away from the Athenian hit machine, leaving incredible artists to just toil in obscurity.
So what is it? If it's anything at all? We wanna know what you think
Just as a side note, we love getting stuff like this in the mail. If you've got any cool photos or stories you'd like to share, feel free to drop us a line at athensmusicjunkie@gmail.com or post them to the Facebook page.
Posted by Jordan Stepp at 7:00 AM 19 comments
Labels: dave matthews band, debate, flashbacks, Widespread Panic
Monday, April 12, 2010
Coming Full Circle with the Bros. Gore
I owe a lot to Jason Gore and his band the Brothers Gore. That ragtag group of Springsteen lovin' rock 'n' rollers came up to WUOG during my second ever time producing on Ops Staff and we all hit it off. I was still painfully shy about getting out and about in the music scene in Athens. Jason in particular made sure he changed that.
What followed was a series of random shows at DT's (now Rye), the Tate Center, and other various locales where I would walk in, nearly be thrown out for being underage, then forced to sit in a corner while the doorman looked at me suspiciously all night. Absolutely worth it. They introduced me to a lot of their musician buddies, including the late Kris Langley. They would point me to great shows around town and essentially got me off my ass and into the venues.
When it came time that I wanted to start an online diary of sorts, I asked Jason if he would be my first "interview." A good practice run for things to come. He's been a supporter of this blog thing for a long while, even after the band broke up and he moved away. I still message him from time to time, just to chat or to throw my latest writing sample at him for review.
While the band fiddled around with their instruments in the back of the Transmet, I sat there remembering all those nights spent on an uncomfortable stool at Rye Bar, watching them play. It was always really hot or incredibly cold, the blue tinted windows making a great background for extra guitars, the smell of beer and probably illegal substances coming from shady guys in the bathroom... Hey, it wasn't always romantic but few things are as lovely as we'd like to remember them. The guys always looked out for me though and would play my requests at the drop of a hat.
A lot has changed in the few years that have gone by. Jason's in NYC. The guys have gotten married, had kids, moved on from Athens. I've dropped a major, gotten to write some killer stuff for Flagpole, and worked with some of the world's nicest and greatest bands. We're all looking in the mirror and finding ourselves a bit older. Wiser? Eh. Better developed senses of self and humor? Check.
The future's full of uncertainty for all of us. I don't know where I'll be in two months, much less two years. But I know where I'd like to be. Regardless of what happens, at least I'll have a killer soundtrack to remember my college days. "Jersey Shore." "Helen Half of Georgia." Always, always, always: "Starcrows."
Posted by Jordan Stepp at 7:00 AM 0 comments
Labels: brothers gore, college, musings, youtube videos
Friday, April 9, 2010
H.E.R. Hip-Hop Tonight
There's no doubt that Athens has a growing hip-hop scene. Only a stone's throw from the massive hip-hop center of ATL, this area's been harboring a great underground scene that just hasn't seemed to go anywhere for a while. There are fans here, the artists are here, why is there a disconnect? That's what H.E.R. Hip Hop hopes to find out.
H.E.R. stands for "Hip-Hop in its Essence and Real," an idea and phrase the group's creators got from rapper Common's song "I Used to Love H.E.R." The "her" of the song has sold out and become so tainted that Common no longer wants anything to do with her. In the same spirit, H.E.R. Hip Hop wants to grow and promote hip-hop in a way that focuses on the genre and art, not the money.
It started off as a UGA MBUS student group and became a fully functioning company. They're hoping for yearly showcases. This year is a damn good start with Dead Prez, Kidz in the Hall, Wildkard, WrittenHouse, Donnis, Stanza and Fresh.
It all starts tonight. $20 bucks, New Earth Music Hall. Panel at 7, Music at 9.
Posted by Jordan Stepp at 7:00 AM 0 comments
Thursday, April 8, 2010
New Addiction: Indigo Girls
Ray and Saliers met in elementary school, and started playing together in high school, but it wasn't until 1985 that they adopted the name "Indigo Girls." It was around this time that they started playing in Athens, traveling from Atlanta where they both attended Emory University. They frequented the Uptown Lounge, and Amy has even said that "when we started playing there is when things really started happening for us." As the pair built up a fan base, they continued coming back to Athens, even mentioning the drive from Atlanta in their song "Chicken Man."
In 1987, Ray and Saliers worked with Athens icon John Keane to release their first independent album, "Strange Fire." Keane worked behind the scenes on production, engineering and mixing, and he also contributed various instrumental performances on a number of tracks. A year later, the pair performed with Michael Stipe at the Athens Music Festival, playing a mix of R.E.M., Indigo Girls and cover material. It wasn't long before Ray and Saliers were working with John Keane again, this time on their eponymous Grammy-winning album released in 1989, which features the boys from R.E.M. on a few tracks, one of the most memorable being Stipe's contribution to "Kid Fears," a favorite of the AMJ staff.
The Indigo Girls continued coming to Athens to play, and continued to find a great deal of support here, as is evident in the home video they released, "Live at the Uptown Lounge," in 1990. Recorded shortly after touring with R.E.M., it is clear that Ray and Saliers are far more comfortable in a small venue surrounded by fans singing along than in the big theaters they had been playing in. In the interview segments interspersed with concert footage, the two mention that to them, Athens in old stomping ground, and that the community there had always been supportive of them. While Atlanta may be their main home, the Indigo Girls will always have Athens as back-up, and as long as the Wuxtry will have them, so will we.
Posted by Ziona Kocher at 7:00 AM 0 comments
Labels: indigo girls, New Addiction
Wednesday, April 7, 2010
Picks of the Week
Posted by Sofia at 7:00 AM 1 comments
Tuesday, April 6, 2010
R.E.M. 30: The Airwaves
I've been a deejay for quite a while now. While I'm no professional, there's a familiar pattern to playing a song, announcing dialogue, and then taking a call from a listener that you develop over time. It becomes routine. You often don't realize that anyone is even listening in. Just play what you've got prepared and let it ride. This was different. People were talking back. And not just one or two. A whole planet seemed to be tuned in to our small station to hear our little tribute to R.E.M.
From France: "I met my wife during Moon River at an REM show. We danced to it at our wedding"
From Chicago: "Please play Walk Unafraid. It helped me through college."
From Spain: "Thanks for Tom's Diner! Makes my day. Love from Spain."
Poland, Brazil, UK, Switzerland....
It just floored me to see all these comments popping up on the Meebo chat. People weren't just requesting songs. They were telling stories. Stories about R.E.M., how the band touched their lives, had become part of them. Some were incredibly sad, usually "Nightswimming" requests, others were pretty funny and involved copious amounts of alcohol ("Narrator").
A lot of laughter was shared when we played "Furry Happy Monsters." Most of our staff had been introduced to R.E.M. via Sesame Street. When you get 20 something year old college students bouncing around like idiots in a radio station using old Flagpoles as muppets, you've really done something. Thankfully, no one caught that on camera!
Many a cupcake was devoured (though the few survivors are now sitting in my fridge) and we ended up receiving tons of calls to win the Finest Worksongs cds. Even the trivia questions we figured were pretty hard were answered within two minutes of us asking the question. Kudos to the lucky winners.
We hit our greatest number of listeners ever recorded online for WUOG. We even got to debut a song from an upcoming R.E.M. remaster. And William and I got to curate five hours of bootlegs, b-sides, deep cuts, and random stuff from 30 years of R.E.M. It was so much fun but nothing can compare to sharing that experience with people around the world.
When you feel a strong connection to a song, you own it. Doesn't matter who holds the copyright, gets the royalties, wrote it... The song means something to you. Sometimes you get to find another person who feels just as strongly about it as you do. Then another. And another. And before you know it, there's a whole group of people who can relate to one another without ever having met. You can laugh together, cry together, banter back and forth about what "Sing for the Submarine" really means...
And that's what it's all about. The connection. Bringing people of different backgrounds and lives together through music. Being together, en mass, in concert.
The complete setlist for R.E.M. 30 at WUOG can be found here.
Posted by Jordan Stepp at 7:00 AM 4 comments
Monday, April 5, 2010
Friday, April 2, 2010
30 Ways To Celebrate R.E.M.'s 30th This Weekend
1) Donate to Nuci's Space or another charity for their b-day.
2) Attend REM30 at the Melting Point on Friday.
3) Read our buddy Gordon Lamb's interview with R.E.M. manager Bertis Downs.
4) Tune into WUOG on Monday from 12-5pm EST and listen to the R.E.M. tribute. We'll be giving away one copy of the "Finest Worksongs" compilation every hour. We'll also be giving you a SNEAK PEEK... Listen in and hear an exclusive track...
5) Join the REM@30 Group on Youtube and leave the guys a birthday message.
6) Two words: STAND. DANCE.
7) Read the 30 Days to Chronic Town articles on Abandoned Couches.
8) Grab some guitars, friends, and a camera. Find a Silo.

9) Cover rare or obscure songs with your buddies. Lose points if it's this though.
10) Listen to every R.E.M. album. In order.
12) Plant a tree, veggie garden, or flowers a la Bill Berry.
13) Stylish hat wear is a must. ---------------------->
14) Donate some books to a school or a library since Peter Buck really likes to read.
15) Catch one of the special R.E.M. film showings at Cine.
16) Pull a Mike Mills and go play some softball or golf. Take a friend.
17) Read the Athens Banner-Herald R.E.M. articles.
18) Try learning an R.E.M. song on guitar. "Everybody Hurts" is a good one to start with.
19) Go to an art gallery or teach a child how to use a camera like Michael Stipe.
20) Find your favorite show's setlist. Make a playlist. Enjoy.
21) Scour the internet for really old or hilarious R.E.M. photos like so.
22) Connect with other fans by joining a fansite or by making your own.
23) Take an Athens Music History tour.
24) Twitter users, hashtag everything REMish with #rem30.
25) Listen to artists that inspired R.E.M.: Patti Smith, Big Star, The Byrds, Television, Velvet Underground...

26) Support an independent record store. (Record Store Day is April 17th)
27) Listen to R.E.M. inspired bands: Pavement, the Replacements, Nirvana, Coldplay, Radiohead...
28) Watch some of the videos online or the dvds.
29) Listen to other Athens artists: Love Tractor, Pylon, Widespread Panic, Vic Chesnutt, Modern Skirts, Dead Confederate, Dreams So Real, Oh-Ok..
30) Strike your best Stipe pose!
Anyway, there are a ton more great ways to spend this weekend. R.E.M.'s anniversary (which is also Kathleen O'Brien's birthday!) is April 5th so you've got a good 4 days to celebrate.
Posted by Jordan Stepp at 6:45 AM 7 comments
Labels: listening party, REM, rem30
Thursday, April 1, 2010
WUOG TURNS WR.E.M.
WUOG 90.5 fm, the student run station at the University of Georgia in Athens, GA will celebrate R.E.M.'s 30th anniversary by breaking our long-standing station philosophy and playing R.E.M. songs for 5 STRAIGHT HOURS on Monday, April 5th, 2010, from noon until 5 p.m. EST.
Typically, bands that have achieved mass popularity like R.E.M. are not played on the station's airwaves. But we consider R.E.M. one of our own so we're throwing a party, complete with cupcakes! Myself (Jordan) and Local Music Director William Kennedy (of local band Reptar) will be djaying through 30 years of albums, b-sides, covers, bootlegs and who knows what else! There may even be a surprise or two...
R.E.M. has had a long history with WUOG. Kathleen O'Brien, aka KO, was djaying there when she asked the boys of R.E.M. to play her now legendary birthday party. The station played a great deal of their earliest recordings and was housed in Memorial Hall where the band played one of their first shows. And when the station moved to its current location in Tate in December 2008, bassist Mike Mills was the last dj on WUOG at Memorial.
Posted by Jordan Stepp at 12:01 AM 7 comments
Labels: REM, rem30, seriously not an april fools joke, wuog


























