You’re psyched about your newest musical endeavor—finally, your band has a bang-up setlist and you’ve never sounded so fit. The only problem is that the only people who’ve heard you play are your roommate and your girlfriend. It’s time to tackle the next hurdle—actually playing somewhere other than your garage. But how? There are so many venues in Athens—where to look first? And will anyone actually be willing to book your not-so-well-known newbie band? The task seems daunting. However take it from your more experienced local musicians, such as Marie Uhler, drummer for Eureka California, “It’s not as hard as you’d think.”
In looking to play at a venue, there are two different routes you can take: Booking the show yourself, or jumping on the bill with a band that has already booked the show.
When booking the show yourself, it’s best to start off contacting smaller venues. For instance, for your first show, it is 99.7% unlikely that you will get a spot at the 40 Watt. Alternatively, Go Bar is very likely to give you a spot. Asking for open spots on weeknights will also make it more likely for you to get booked. Catherine Backus of the Skipperdees used this approach: “As newcomers to the Athens scene, we just tried to research venues that we thought would mesh with our sound and then asked for weeknight dates (humble beginnings).”
Some bands, like to have a structured email package they send out to venues when trying to get booked, as Backus does for the Skipperdees, “The Skipperdees' booking process generally involves a "templated" email that we send to various venues letting them know our availability and the other acts we can play with. We always provide a link to our music so the management knows what to expect.”
Other bands prefer to write more personal emails to venues. Adam Underwood of BombsBombsBombs uses this method: “When contacting venues, I try to be as genuine as possible and make sure that they know that we aren’t sending them just another form letter email.” Underwood also thinks it’s important to extend the personalized booking process by face-to-face interaction: “Try and meet the people in charge of booking in person so that you both can put a face to a name. Just going up and saying ‘Hey, I'm so-and-so. We've talked over email a bit and I thought I'd run in and say hey.’ The more you can embrace the idea of ‘what can I do for you’ as opposed to ‘what can they do for me,’ the more gigs you'll book and the better people will respond and seek you out.”
I can haz gig?
Other musicians also prefer meeting the booking agents in person as opposed to online interaction. John Wallis Youngblood, former vocalist/guitarist of Blueswater Bridge prefers this approach, and always makes sure to bring a demo along: “It's always been best in my experience to call the venue with a demo in hand, walk in, buy the booking agent a beer and hand them the demo. I let the music speak for itself and if they want to book me I give them my business card.”
Let’s not forget about the other way to get a spot at a venue. Making friends and contacts with other musicians is so important if you are involved in the Athens music scene. Erin Lovett of Four Eyes can attest to this: “We've been playing shows for almost a year now and have actually never booked our own show! Every show we've ever played has been by invitation either from another band that enjoys our music, or it has been a friend (or friend of a friend, etc.) who was the booker. So, make friends with the people in bands you like! Make friends with bar owners and club owners! Aside from the incidental benefit of not having to book your own shows, the sense of community you'll feel with Athens will be the most tremendous and encouraging thing about being a musician here.”
Indeed, whether you are jumping on an already booked bill, or booking your own bill, it’s always a great idea to play with bands that are well established in the local music scene. When a venue gives you a spot, make sure you contact some bands who are getting good buzz in the town and ask them to play with you. You will benefit from their stature, and of course, from the chance to reel in some of their fans to listen to you.
Sharing is Caring!
As you start to gain experience playing in Athens, booking will be an easier and faster process. Make sure that for those first few shows your band plays, you publicize extravagantly and get as many people out as you can. This will show the venue staff that you can bring people out so they feel like they aren’t losing money by booking you and not a different band. After this, they will be more willing to book you during the week and on weekends.
Jake Ward of Eureka California has a few tips on advertising for your shows: “I still really like flyers and will go to a show or at least check out the band online if they've got a really cool flyer for the show. Today it seems like most bands just rely on Facebook events with hardly decipherable tags for each band. If you want to increase your chances of getting a good turn out it never hurts to get the word out on all fronts.”
That being said, it is very important to remember that the internet is your friend! Having an informative facebook page or website and a band email is extremely helpful. Having a presence in social media will help you get booked and increase your fanbase. If none of your band members are proficient in facebook, twitter, web design, etc., I would suggest hiring someone or getting an acquaintance to do it for you. You are more likely to be contacted by venues and bands and will gain more potential fans by being organized and presentable, with samples of your music and pertinent information readily available. Bands from out of town are constantly looking for local bands to play with them. Often when this happens, the out of town band has already booked a slot at an Athens venue and is looking for local bands to headline. The main way touring bands find local bands is via internet.
Speaking of touring bands, it is always a good idea to play with bands from out of town, especially if you are a more experienced band. Patrick Goral, of Chapstuck and the fabulous house venue Plush Palace, believes in “a ‘pay it forward’ ethos” when it comes to playing shows: “Sure, it's fun to play for your friends, but eventually it gets old and they stop coming. I usually play and book shows to help out a touring band. People are more likely to come see your local band than a random touring band they've never heard of. This builds nationwide connections that help when your band goes on tour.”
All in all, putting yourself out there will pay off. Be confident in your band and be personable to owners, managers and other musicians. Stay up to date in the musical happenings around town. Make friends with other musicians. Be organized and earnest with social media, or other traditional (non-internet) forms of promotion. Don’t be afraid to put yourself out there. Eventually, venues and other musicians will be contacting YOU to play.
While the massive tragedy in Japan has kept our eyes fixed on the media, Haiti is still quietly struggling to rebuild. So in order to help speed things along, Wonderlab and Winston Barbe have organized the 2nd annual Haiti Benefit. It's gathered a rather impressive lineup with a mix of old standards and new favorites that are sure to entertain just about anyone.
Make sure to head over to the MAX (formerly known as Max Canada), to see Patterson Hood, David Barbe & the Quick Hooks, Second Sons, Redneck Greece, Native Kid, Natalie Hinkle, Grinnin' Bear, New Madrid, Josh Daniels, and Sam Sniper. Check out the facebook event page.
Quick info below!
Saturday April 2nd @ MAX
Noon to 10pm // $6 (DOS ONLY) // 21+
Come out and support a great cause with some great local music...
***LINE-UP***
1pm - Joshua Daniels
2pm - Second Sons
3pm - Native Kid
4pm - Sam Sniper
5pm- New Madrid
5:45pm -Natalie Hinkle
6pm - Grinnin' Bear
7pm - Redneck Greece Deluxe
8pm - David Barbe & the Quick Hooks (ft. Jeremy Wheatley + Thayer Sarrano)
9pm - Patterson Hood
<<>>
Hey everyone. Jordan has asked me to write some pieces for AMJ regarding the more technical side of music. In keeping with the nature of the blog, my idea is to talk about some individual musicians in Athens that I feel stand out among the crowd, and in doing so try to explain what it is they do that makes them interesting and/or special.
When I first began playing guitar—I was around 15 or so—I had enough of an interest in music that I had some pretty good ideas regarding the styles and sounds I wanted to emulate, but it took some time to really learn my way around the instrument. But those of you that aren’t musically-inclined can still have your appreciation enhanced by a little technical knowledge, so if you don't have a decade's worth of free time to learn new instrument, I'll try to bring some insight into the craft that might make listening a little more fun. A lot of it will be pretty intuitive and uncomplicated. I'll spend most of the time talking about guitar, because it's what I know best, though I may occasionally touch on other instruments.
Finally, Jordan has asked me to come up with a column name. I haven't yet thought up anything I really love, so feel free to offer up suggestions if you have any. I'm hoping for something pun-based.
Today I'd like to talk about Peter Buck. Obviously the blog is a fan of R.E.M.'s, and Athens music scene wouldn't be where it is today without the band, so where better to start. In doing my homework for this piece—i.e. listening to R.E.M. music for hours on end—it occurred to me that the band has amassed a lot of material, so over the years Buck has played a lot of styles and sounds. Generally, though, when I think of Buck, and R.E.M. in general, I think of that very richly textured “jangle pop” that was so prevalent on early albums like Murmur and Reckoning.
That sound dates back to the '60s, and namely guitarists George Harrison of The Beatles (did I need to specify that?) and Roger McGuinn of The Byrds, who played Rickenbacker brand guitars that inherently, and I'll use the word again for lack of a better term, “jangled.” The iconic song “Mr. Tambourine” as performed by The Byrds defines the sound, and its lyrical reference to a “jingle jangle morning” gave the movement it's name. R.E.M. and a few other bands, like The Smiths and The Replacements, brought the sound back in the early '80s, largely minus the Rickenbackers. The opening riff from “So. Central Rain” is a near perfect example of the sound. (Video embed disabled.)
As far as how the sound is constructed, it's pretty simple. Though Buck's guitar is usually plugged in to an amp, it's not what a lot of people might think of as electric guitar, in that there's generally very little distortion. Distortion or overdrive creates a muddled sound whenever more than one note is played at a time. Heavy metal bands, for example, play heavily distorted chords so that all the notes combine into one big, deep, homogenous sound. Cranking down the distortion results in a cleaner, crisper sound where individual notes shine and sparkle.
Additionally, Buck often plays his riffs at the high end of the register, on the strings on the bottom half of the guitar. He tends to play either simpler three- or four-note chords (as opposed to the maximum six-note chords that can be played on any six-string guitar) or arpeggios, which are chord shapes where notes are played at intervals instead of all at the same time. Along with the lack of distorted tone, the focus on playing fewer notes at a time allow each individual note to stand out.
Buck usually plays with plenty of reverb, which is that subtle slap-back echo that makes the guitar sound like it’s being played in an expansive concert hall or amphitheater. This allows for individual notes to ring out and sustain their tone longer, so that even on arpeggios there's significant overlap and multiple notes can sound at the same time, even if they weren't played at the same time.
And finally, Buck often plays largely on the low frets, on the leftmost side of the guitar, nearest the headstock (where the tuning pegs and the logo are located). A particular note on a guitar can be played on any number of the strings, but notes played lower on the fretboard sparkle a bit more, and open notes, or notes played by striking a string without a finger on any of the frets, sound exponentially brighter than even notes played at the first or second fret.
What's interesting about Buck is that his electric sound isn't often much different from his acoustic sound, or even the natural sound of a mandolin, so for the most part these guidelines apply across the board to most of his work. On “Shiny Happy People” Buck plays the mandolin and it doesn’t sound too noticeably different, just a bit higher in tone.
I hope some of that information is useful and can help you to appreciate Buck’s playing a little more the next time you hear it. Again, feedback is welcome, either in the form of questions, suggestions, or criticism. (ed. note, send it to amjintern@gmail.com or post below!)
Ok guys, today's our webmaster Sofia's birthday so I'm giving away a cd-prize pack to the first person who emails athensmusicjunkie@gmail.com with the subject heading BIRTHDAY YAY and the correct answer to the question below. Contest goes on til Sunday morning. Please refrain from entering if you have already won something.
QUESTION: WUOG now resides in the Tate Student Center. Where was it located before?
Ok guys, get to answering and get some awesome local music sent your way!
If I could offer you only one tip for the future, a cool band name would be it. The long-term benefits of a cool band name have been proved by rock historians, whereas the rest of my advice has no basis more reliable than other people's meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your music. Oh, never mind. You will not understand the power and beauty of your music until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really were. You are not as bad as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 a.m. at some random Waffle House in Alabama.
Do one thing every day that scares your mother.
Sing.
Don't be reckless with other people's equipment. Don't put up with people who are reckless with yours.
Bathe.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's not about who makes the most money.
Remember compliments you receive. Forget the insults. If you succeed in doing this, you're probably not in a rock band.
Keep your old song lyrics. Throw away your old student loan statements.
Tune.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of sleep. Be kind to your hearing. You'll miss it when it's gone.
Maybe you'll be famous, maybe you won't. Maybe you'll have a record deal, maybe you won't. Maybe you'll o.d. at 40, maybe you'll dance the funky chicken at your hall of fame induction. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Except for that Fender.
Dance, even if you have no one to watch it but an empty venue.
Read the directions, feel free to ignore them.
Do not read music magazines. They will only make you feel ugly.
Be good to your parents. You never know when they'll be useful for a ride when your van breaks down. Be nice to your siblings. They're your best free labor and the people most likely to stick with you in the future. Even if it's only because mom said so.
Understand that bands come and go, but with a precious few you should hold on. Work hard to bridge the gaps in music style and experience, because the further you get, the more you need the people who knew you when you were young.
Live in Austin once, but leave before it makes you hard. Live in Athens once, but leave before it makes you soft.
Travel in a van.
Accept certain inalienable truths: PBR is cheap. Bookers don't always know what they're doing. You, too, will have a bad show. And when you're old, you'll fantasize that when you were young, PBR tasted awesome, the music was better and your band should have been the one to make it.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy girlfriend. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. Like music journalism.
Yeah, yeah. You don't want to "go corporate" and you don't "need help from professionals." You "DIY" all the time and "jam econo" all day long. Well, if that's your attitude: you're dumb. Every band can use a bit of help if they want to break into the business of music. And it is a business. So if you're completely befuddled, confused, or just don't know where to start, I'd highly recommend this event going on tomorrow at the Walker Room of the Dean Rusk Center (next to the UGA main library). Everything from what to do when a venue won't pay you to dealing with matters such as copyright and how to make money selling your stuff. I've worked with a few of the speakers on these panels and I can tell you that they know what they're talking about. So head out there and get some good learnin' in. It may just make your career.
Schedule below:
2:30 – 2:45 Registration (free admission!)
2:45 – 2:50 – Welcoming remarks, Karli Swift, Sports and Entertainment Law Society
2:50 – 3:00 – Opening statement, David Barbe, Director, UGA Music Business Program
3:00 – 3:45: Session I – Building Your Team
Panelists: Jonathan Leonard, Entertainment Attorney, Jonathan E. Leonard, PC
Lisa Moore, Director, Georgia Lawyers for the Arts
Rasheed Muhammed, Business Manager, SunTrust Sports and Entertainment Specialty Group
David Lowery, Artist, Cracker; Professor, UGA Music Business Program
Moderator: Deborah Gonzalez, Of Counsel, Timmons Warnes & Anderson
3:50 – 4:35: Session II - Performance Rights Organizations
Panelists: BMI Representative
ASCAP Representative
Pete Dugas, Owner, TSAV Publishing
Moderator: David Barbe, Director, UGA Music Business Program
4:35 – 4:55: Break and Networking
4:55 – 5:40: Session III – What’s in a Name: Branding Your Band
Panelists: Michelle Roche, Owner, Michelle Roche Media Relations
Michelle Gilzenrat, Music Editor, Flagpole
Kristen Fancher, Trademark Attorney, Greenberg Traurig
Killick!, Artist
Moderator: Jared Bailey, Director, AthFest
5:45 – 6:30: Session IV – Beyond the Radio: Alternative Ways to Make Money with your Music
Panelists: Randy Whatley, President, Cypress Media
Steve Weizenacker, Television and Film Attorney, Lewis, Brisbois, Bisgaard & Smith, LLP
Nikki Marshall, Owner, Red Clay Clearances
Moderator: David Shipley, Professor, University of Georgia School of Law
Got a lot of good news this week from old friends, so hold on to your hat, tag yourself as #sxswasted or whatever, and let's go! Timmy Tumble and the Tumblers. Yup. Timmy's gone and gotten himself a band together. Our resident tumbling (and sometimes flailing) artist/poet/rockstar type has been hard at work on his new album which he's releasing this Wednesday. Go get it!
Chris McKay is back at it again too with a new lineup of the Critical Darlings. Yay! Over the years, the Darlings have gone from a trio to a fourpiece and everywhere in between. Darlings version 3.0 is a quintet with keyboards no less! They're gonna premiere the new lineup soon, so keep tuned in for dates for that.
Popfest is accepting submissions for this year's festival happening Oct. 11-15th.
Wait, Max Canada is now just "Max"? Okay then...
Drive-By Truckers stopped by the Rolling Stone offices to play a few tunes. Video here.
My ten year old self is hyperventilating: Widespread Panic, Michael Stipe, and Hanson were a part of SXSW 4 Japan benefit. Whaaaaaaa? Also, awesome.
We're glad all our friends from Flagpole and beyond made it back from SXSW ok, if only sleep deprived. According to Gordon Lamb's account, there was a pretty bad incident at Stubb's . Our thoughts and prayers go out to those injured.
Cowboy Angel’s pleased to announce the info and line-up for Athens Americana 2011. Gonna be a great weekend celebration of Athens music, and we’ve got some cool new elements to the festival!
WED APRIL 27th (Little Kings): free!
Opening night w/ Athens debut screening of local guitar luthier, musician, and filmmaker Scott Baxendale’s acclaimed documentary Do It For Johnny.
THURS APRIL 28th (Little Kings): $5
Betsy Franck & the Bareknuckle Band/ Vespolina/ Kaitlin Jones & The County Fair/ Big C & The Ringers
FRI APRIL 29th (Little Kings) $8
Burning Angels/ Workhorses of the Ent. & Rec. Industry/Justin Evans & friends/ Redneck GReece Deluxe/The Lanes (feat. Kevin & Matt Lane)/ Matt Hudgins & His Shit-Hot Country Band/ Bearfoot Hookers
SAT APRIL 30th (Little Kings): $8
Acoustic happy hour & artisan/crafts fair, followed by..
Yo Soybean/ Dare Dukes/ Corduroy Road/ Adam Klein & friends/ Dodd Ferrelle/ The Buzzards (feat. Scott Baxendale, Clay Leverett, Bo Bedingfield & Jon Mills)/ Dave Marr (ex-Star Room Boys)
SUN MAY 1st (Hendershot’s Coffee)- $5
Closing party feat. Welfare Liners/ Borderhop Trio/ Curley Maple/ Little Country Giants/ Hope for Agoldensummer
Wristbands for entry into all events only $15, available soon at Little Kings, Hendershot’s Coffee, Jittery Joe’s Roaster, Schoolkids Records & online at Athensmusic.net!
Want to be part of the artisan/crafts fair during Saturday happy hour (Sat. April 30th)? Have homemade jewelry, honey/jam, farm products, soaps, artwork to sell? Email hellocowboyangel@gmail.com for info..
With everyone out of town either at SXSW or off for Spring Break, the scene here gets kinda slow. That being said, there's still plenty to do this week in Athens!
TONIGHT Flicker Theatre Booty Forbidden Waves
Rye Bar Chris Cundari Eric Sommer
THURSDAY Flicker Theatre Capsule Chrissakes Hot Breath
Hotel Indigo Carl Lindberg
FRIDAY Caledonia The Incendiaries Des Ark Ol' Blue Heeler Pygmy Lush
Farm 255 The Burning Angels
Flicker Theatre Athens Boys Choir Theo Grizol Humble Tripe
SATURDAY Caledonia Bo Beddingfield Romper Stompers
Hey guys! Hope you're having a good week. We here at AMJ are on Spring Break so expect only Mon. Wed. and Fri. posts here. In the meantime, keep up with everything breaking newsworthy with the AMJ Facebook page (complete with even more stuff from Saturday night) or Jordan's twitter account.
See ya tomorrow!
There will be a full write-up of Saturday night later but for now, enjoy the video and a few pictures. You can see more photos at the AthensMusicJunkie facebook page.
Kevn Kinney, Tim Nielson, Mike Mills, Steve Wynn, Bill Berry, Peter Buck and John Keane
Last time I talked to Scott McCaughey, we were battling poor cell reception in North Fricken Dakota, a lack of sleep (Scott), and a lack of voice (me). Yet we somehow managed to talk, email, and text our way through an interview. This time, thankfully, went much smoother. He's a busy guy, splitting time between R.E.M., Baseball Project, Minus 5, Young Fresh Fellows, Tired Pony, Tuatara, and tons more. Yet he still finds time to keep up with his beloved Giants. Amazing.
This Saturday will be the second time the Baseball Project has come to the 40 Watt. Teaming up with Peter Buck, Linda Pitmon, and Steve Wynn, McCaughey is on a Spring Training Tour that just happens to kick off here in Georgia, stopping at the Watt. The first go around brought a ton of surprises in the forms of Mike Mills, Patterson Hood, and Bill Berry clambering on stage, "Ghostbusters," many Minus 5 and Steve Wynn songs, "Ghostbusters" again, and a whole lot more. So in advance of the show, I took some time to talk shop with Mr. McCaughey. And yes, he's already got his fantasy team drafted.
AthensMusicJunkie: So it's cold where you are.
Scott McCaughey: Yeah, it's kinda nasty. No snow or anything. Just cold and windy and rainy. In the winter it's cold in our basement and that's where I tend to do my music work and stuff. I could go out and buy a couple of space heaters but that would actually entail me going and doing...that. (laughs)
AMJ: It takes up a lot of space in the practice room, I've found. You could always squeeze another amp in where that heater would be.
SM: Yeah! Exactly. (more laughing) Me, I've got a lot of records taking up all my room!
AMJ: So, the new album. There's so much tragedy in these songs, it's kinda depressing at times.
SM: (laughs) That's what everybody wants from a record about baseball, right? But you're right. It did turn out that way. It wasn't really intentional but we did sort of begin to go "Man, there's a lot of people getting messed up in these songs, you know?" They're cool songs though. Our thing really isn't about writing "Rah-Rah" that they can play in the stadiums. We may come up with one of those every once in a while but it's really about things that appealed to us about baseball. The stories, the characters, and the history. You come across some strange and horrific things that have happened. Most of them make really good stories. We're probably the kind of guys that like murder ballads and stuff like that. We haven't really done that but we may. But the stories about Tony and Carl Mays and Ray Chapman, they're really interesting stories we find. We don't mean for them to be depressing. But baseball can be a depressing game.
AMJ: It was depressing for me this year. Braves fan.
SM: Ah, see, I'm a Giants fan. That was a good series though. I was chewing my arm off every one of those games. But the Braves look like they can be a good team this year.
AMJ: On that note, your other top contenders this year are...?
SM: Well, the Phillies are looking really good this year, I think Cin can be good again. I'm hoping the Giants could be in there again. The Rockies could give them trouble though. Boston's looking really, really strong. I think Texas will be good again. And the A's. The Twins kinda lost a lot, I hope they'll be up there. But that's just off the top of my head.
AMJ: How in the world do you manage to keep up with all this and all your bands?!
SM:(laughs) Well, you know, I probably pay attention to baseball more than I should but at least now I can say its part of my work. Baseball's always been a sort of zen thing for me. I can zone out from all the other things on my plate. In the morning I can read my boxscores, it's like my meditation or something. Now it's just a bit different because I'm always thinking of songs for the baseball project. It's kind of amazing how little time I feel like I spend on music sometimes despite the fact that I'm in all these bands. I spend so much more time writing emails to people about the bands like "Can you play this day" or "Let's do this" and organizing sometimes I feel like "Just f*** this, I should be downstairs playing guitar!" I'm always thinking about writing songs. Getting to play is another thing entirely. It's such a small percentage
AMJ: How do you go about finding the right stories to talk about?
SM: A lot of it is just something that comes to your attention. Sometimes I'm reading a book about baseball and I discover a strange story. I do read a lot of baseball books. I'm kind of a fanatic. I read a lot. Like last year, we did a series where each month we'd write about something that was happening in the present as the season went along. We were like journalists in a way, but trying to do it artfully. It was a lot of fun but a lot of work. We're not doing it this year.(laughs)
AMJ: You've got quite the team assembled this go round on the record. A lot of guest stars...
SM: We found out a bit more about who else that we knew were actual baseball fans after the first album. We found more people as "geeky" as we were about baseball. You know, I've know Ben Gibbard a long time but I'd never have pictured him as a sports fan. And then I heard he was a total Mariners fan. We talked and found out he was writing a song about Ichiro and we were writing about Ichiro so we ended up trading songs and whatnot. Linda knew Craig was a Twins fan. I've known Ira Kaplan was a Mets fan so when we did "Buckner's Bolero" I thought it'd be cool to have him on. Some of it was baseball inspired and some of it was just musically inspired.
AMJ: Which team would you like to perform the National Anthem for? (reader submitted question)
SM: I don't know if I really want to perform the national anthem. I don't know that I could do a very good job. Steve Wynn has done it before and I know Mike Mills has done it before and they don't seem daunted by it. But I would be terrified to do it. It's gonna come up though. People have already talked about us doing it. So I guess I'd want to do it in San Francisco or Oakland would be fun. Steve's a Yankees fan but I dunno... It'd be scary doing it there. It'd be scary doing it anywhere really. It's not the easiest song to sing.
AMJ: Last time you were here you played "Ghostbusters" twice. Any chance of a third time?
SM: We did?
AMJ: Sure did. I'll make sure to send you the video.
SM: Oh yeah! That's right. Yeah, that was a funny show. Yeah, don't think we'll be doing that one again. Got to do something different. We'll come up with something hopefully entertaining for the encore. We've got a lot of friends in Athens so hopefully someone will come up and play with us.Our buddy Kevn is opening and it's his birthday so that'll be fun and it's his birthday. But "Ghostbusters"? I dunno. You've already seen that so we'll have to come up with something else. I think it's gonna be a whole bunch of fun.
AMJ: Well thanks for chatting with us, Mr. McCaughey.
SM: Well thank you!
Saturday March 12
40 Watt Club
presents
The Baseball Project
Support:
Kevn Kinney & the Musical Kings
Door Time:
9 PM
Ticket Info:
$15 Advance
Info + Links
Tickets on sale at School Kids Records in
Athens and School Kids' Charge-By-Phone
at 706.353.1666
Athfest announced its official cd for the 2011 year. Note that none of these artists have been featured on a previous Athfest compilation cd. The release party will be announced soon.
First thing I noticed? We've got a lot of country tinged music floating around right now. And a lot of straight up rock. Signs of a shift?
1. The Knockouts - Got Everything I Need
2. Bombs Bombs Bombs - Waiting for Sunlight*
3. Vestibules - A Feather in the Hand*
4. The Spinoffs - Lucky Stars*
5. Spirit Hair - Wiser Winds
6. Adam Klein - Driftin’
7. The Romper Stompers - Dreaming*
8. powerkompany - Dear Boy*
9. The Welfare Liners - Terrapin Beer*
10. Betsy Franck & The Bareknuckle Band - All the Kings*
11. Monahan - Offset
12. Free Mountain - Ride*
13. The Burning Angels - Nazareth Song *
* indicates that the song is previously unreleased.
I have been looking forward to this night since R.E.M. announced Collapse Into Now's release date. Every single video snippet, song lyric, and trivial piece of information had been gathered. Finally, it was time for my favorite kind of party. This time I was joined by my plus one and my friend Rebecca who came all the way from Pennsylvania for this R.E.M. overload of a week. We met my plus one at a local pizza spot and walked to the Watt, unsure of exactly what the night had in store. Usually these listening parties are held in smaller, more intimate spaces. When there are bands involved, then you book the 40 Watt. But when we walked into the building, it quickly became clear that only this venue would have worked tonight. The projector was already running thank you credits and was prepared for the dvd that Mr. O'Neil had just completed earlier that day.
The crowd had already gathered around the silent auction tables, taking stock of just what was available. The rest of us "Excuse me" and "Pardon me"d through the crowd toward any spot that looked large enough to allow us to stand around comfortably.
We listened to Collapse Into Now fully, hearing it mingled with the murmuring of the crowd. It was interesting to hear how the crowd got a bit louder during the songs that had already been released to the public. Those five got a lot less attention but when "Blue" came on, the Watt was the quietest it had been all night. The three of us sat, quietly listening, in the corner. With every song came a thought, a memory, an idea. But that's another blogpost....
Raffles are both amazing and frustrating to me. Since I lack proper fundage to purchase additional tickets, I always have to just hope and pray I get something. We ended up getting one of the 5 song samplers which was pretty cool. There was a lot of other neat stuff from t-shirts to cds being given away. And the honey. My gosh the honey. I should probably explain that.
You see, there's this song called "Mine Smell Like Honey." Besides the slightly disturbing connotations that title gives, it also presents a unique marketing opportunity. Much like the fabled "Gardening at Night" gloves, the "Mine Smell Like Honey" bears are collectible. They're bear-shaped honey-filled bottles. With a "MSLH" label. Cute. They were up in the silent auction along with signed records, shirts, posters, other bands' stuff, etc. It was all pretty neat. And out of my price range for sure. After a quick look over, we managed to secure a seat in the back of the Watt.
Michael Stipe was gracious enough to send all of us a video message from Berlin in which he also wished Amy a happy birthday. Naturally, birthdays require cake. So a massive, sugar-coma inducing, Collapse Into Now themed chocolate cake was produced for Amy and Dewitt. We were encouraged to partake in said sugary explosion but not before a joyous round of "Happy Birthday" (still under copyright, believe it or not)to the birthday boy and girl.
Next came the intense live auction. Even Stipe's family got in on the bidding. Mr. Montgomery once again played auctioneer, coaxing the audience to participate in bidding. As always, it started slow but once things heated up, a lot of money ended up donated. Here's a rough rundown:
Signed Collapse Sampler = $75
Accelerate Wine & Mario Batali lunch bag = $150
Original Signed Painting of 40 Watt = $525
Personalized Signed Collapse Cd Samplers (x2) = $175 a piece
Personalized Signed Poster = $500
Signed Collapse Into Now vinyl = $500
Signed (+Bill) guitar = $5000
Total: $7,100
And I have no clue what the silent auction items went for. All I know is that for the fifth time in a row, I've been outbid on my beloved R.E.M. tea tray. At least we managed to walk away with a raffle item. We laughed off what we couldn't buy with a rousing rendition of "If I Had Money, Uh, If I Had Money, Uh". We were rather pleased with ourselves for that. Paul Butchart came over, bearing gifts and gab. Soon all of us at the Watt were watching the interview reel from CIN, followed by the two new videos. It was during this time that Vanessa and Damon dive-bombed us with delicious cake. Seriously, it was good but god help me if I ever have that much sugar in one go ever again.
The crowd began to disperse as the night went on, leaving only a few of us to vie for the last few raffle items and listen once more to the album. The wonderful reps for Whatever It Takes and Community Connection filled us in on their duties. Look them up if you're so inclined. The work they do is admirable. We said goodbye to our few remaining friends and left the Watt. As we waited on the corner for our ride back home, you could hear the last strains of "Every Day is Yours to Win" floating out of the building...
"Every day is new again, every day is yours to win. That's how heroes are made."
And with that, we ended our night. Such a wonderful evening and we all hope there will be more to come.
Don't forget that the official listening party for R.E.M.'sCollapse Into Now is tonight at the 40 Watt. Details are here. The band has been doing a lot of press lately and the reviews of the album have been pretty positive so far. Make sure to check back here tomorrow for a full write up of this evening's event, as per tradition.
If you're headed out to SXSW, make sure to stop by a killer awesome show featuring Ginger Man, the Baseball Project, the Fleshtones, Flash to Bang Time, Mike Watt (ex-Minutemen), the Bluebonnets (Katy Valentine's band, ex Go~Go's), Supercluster and Casper and the Cookies. Yowsers!
Speaking of the Baseball Project, a little Gordon told me that you can expect a surprise show from them this upcoming Saturday, 5 p.m.at Wuxtry. YAY!
Also speaking of Casper and the Cookies, word is they have some new songs for us. Double Yay!
Don't forget that March is Red Cross Month.
Submissions for this year's POPFEST festival will open Tuesday, March 15. Get to plannin!
Not a big fan of The Cleveland Show but Fred Schnider made an appearance on it as Betty the Bank Teller. Watch it here.
Seems like a ton of bands are into music-video mode right now. Below are the newest ones from The Orkids, Lera Lynn, and Kite to the Moon.
One of the biggest talking points surrounding Paste Magazine's list of "30 Great Athens Bands" (besides the criminal absence of *insert band here*) was the inclusion of the Flat Duo Jets as an "Athens band". You could argue for or against the case here. But whether or not you include FDJ as an Athens band, it does bring up the question "Just what is an Athens band?"
It's a tricky question because the guidelines are very blurry. You can't use city of residence as the be all end all, that's for sure. What if half of the band resides elsewhere but calls Athens home base *cough REMWidespread cough*? Or what if none of them live here at all anymore (see B-52s)? What if they just have the misfortune to be from Winterville? *ducks incoming flying pots and pans*
Ok, so city of residence is a little tricky. But we certainly can't put limits on the type of sound an Athens band makes. You've got pop like the Warm Fuzzies, songwriters like Don Chambers, hard rocking Hayride, and Mouser who... um...are Mouser. There's no one quality that hooks all of these together.
Success level is out too. You've got top tier earners, steadily employed pickers, weekend rockers, and half-employed players out there in the mess, scrapping with each other to headline the 40 Watt on a Friday night.
So how exactly can you pick up a band and say "This is Athens and that other one is not"? It's difficult. I try to think about where the band was located/associated with during the most important parts of its career. But I'd love to know, how do you define an "Athens band"?
So, you might've noticed the appearance of "AMJ Intern" on our sidebar over there on the left. We've gotten in a new batch of writers, designers, and critics to pitch in here at AthensMusicJunkie. This is just one of the major adjustments we're going through right now.
As some of you may know, I've spent the last 9 months surfing couches/spare bedrooms while finding a permanent place. Now that I've FINALLY moved both house and office, we'll be getting back to some sanity very soon. But we're also making a few changes like we do every year before our "birthday". I'm so proud of how much this blog has grown in the past two years and it's all thanks to y'all. Our expansions and changes will hopefully make it easier for you to find content, share it, suggest stuff, and just be served better overall for all your Athens music needs.
First up, NEW LOGO. And new layout. Also, expect more content from our staff writers. More Youtube videos from all your favorite Athens acts. More Twitter? And a tumblr. More Facebook exclusives (ha!) and more interviews/cd reviews/historical preservation info type stuff. Count on a weekly newsletter, more contests, and a few partnerships.
But I'd really like your opinions on where else to expand and grow. We've been thinking about doing t-shirts lately and it'd be nice to know if anyone would buy one. Maybe a compilation cd? And an AMJ thrown show? Possibly? I'm open for suggestions. Please let us know what you'd like to see by emailing athensmusicjunkie@gmail.com.
I'm gonna refrain from fully reviewing the album from these first few listens. I tend to get "new music syndrome." But at first listen, I'm hearing a lot of Reveal, Monster, and Out of Time. But feel free to add your comments below. Would love to hear how you're taking Collapse Into Now. If you'll excuse me, I'm gonna go drool over "Uberlin" some more. After I listen to "Every Day is Yours to Win" again. And "Walk It Back". And "Blue."